Ana Morais Caldas
In the name of Love
Portugal, 2010
Brooch
Materials:
Silver, Labradorite, still wire, computer
electronic circuits
Techniques
Soldering, engraving and finishing
Dimension in cm:
6.5 x 13 x 0.6
Artist Statement:
Amidst the uncountable conflicts that filled
with blood the world in the last century –
and keep on filling -, the one where Israelis
and Palestinians face each other is one of
the longer and, no doubt, the one that
echoes louder in the world, at least in the
world that heirs the Biblical tradition
through Christianity, Islam and Judaism.
For us, simple citizens, even with more
reason if we aren’t nor Israelis nor
Palestinians, we feel totally impotent facing
such conflict. There is something we can
do, maybe the only thing. It is to offer our
creativity, as artists, our reflection, and
strengthen the universal values, not for
those who want to keep injustice and wars
eternal, but for those that try to put an end,
at least in the way that it is still possible.
Believing in the same God, with a diversity
in culture, a vast heritage, so many
languages and symbolism, so many ways
and arts, it is hard to believe that the world
can have such a growing impetus of
violence and aggression. Does God exist?
I chose the good side to create my idea of
Humanity and my participation as a
jeweller is to make out of the cultural
diversity the Babel Tower.
What was your starting point or your
inspiration for doing this project?
An initial point is the conflict between
Israel and Palestine: in the same territory
esteemed by the three monotheist religions
there is violence and lack of the Sacred, so
many times forgotten and profaned in the
name of God. Besides this serious focus,
Middle East has other conflicts, that don’t
show any importance towards a spiritual,
poetic and artistic legacy of former
civilizations, and towards the importance
of all this to Humanity as a whole.
If you have a personal or other connection
to the exhibition theme? please share it
with us.
All my work as a jeweller has been inspired
in ancient cultures, in their aesthetics and
metaphoric shapes, using symbols and
meanings that moved between civilizations.
I particularly refer the golden age of al-
Andalus, when the three religions lived
together in a relative peace, and where arts
flourished. Contemporary world is in
conflict and in an urgent need of peace and
understanding, appreciating and caring for
a whole heritage, whether material or
immaterial. My artistic development
recreates elements of the arts of al-Andalus;
at the same time I get inspired by the poetry
of such epoch, and by the symbols and
aesthetics of ancient Mediterranean. I
appeal for Peace, Love and Beauty, leaving
messages of Universality as well.
What were the main reasons for choosing
the materials, shapes or technique in your
work?
The octagon, inspired in the Dome of the
Rock plan, is a metaphor of a multi-culture,
and a sacralisation of a territory by the
three religions of the Book. The engraving
on silver of the poem “my heart is open to
all the forms”, by Ibn al-Arabi – a mystic
Sufi poet born in al-Andalus in the 12th
century, and with his tomb in Damascus –
is an evocation of the embracing quality of
Love, which does not deny paths; it is like a
precious stone, and, therefore, the setting
stone remembers this. By one side, one
octagon represents the ever-flowing current
that encompasses societies with knowledge
and open-mind; on the other side, in the
other octagon, the electronic circuits are
like the diverse ways of the human being,
ways that are still operative in a world full
of technology. At the same time, technology
works as a metaphor of links of movement,
of exchanges, whether of knowledge,
journeys or shifts in geography. Without
the values of the ever-flowing Religion of
Love – which I represent by the small silver
wheel with arabesques -, all technological
development is soulless. This piece is a
message of a symbiosis between two
worlds, not back-to-back, but converging
for a common goal of Knowledge and a
multiplicity of paths.
What kind of feeling you wish the viewers
will get from your work?
In a society without diversity there is no
friction, but there is no creativity as well. In
this contemporary world it is urgent to
reflect on how to live together and share
values and believes, freedom, respect and
love, or else technology will be on the rise
along with profit, and the destruction,
games of power and domain over the other
will win.
If you could give your Jewelry to an
important figure in the Middle East who
will he/she be? and why?
Special people that may be offered this piece
would be all those that have hope and that
contribute for a peaceful, artistic, diverse,
cultured and lovely world.
Personal information:
personal website:
www.anamoraiscaldas.com
If I wasn’t an artist what profession would I
choose?
Naturopath, art historian, archeologist,
anthropologist
My dream is:
to keep on creating and living in a world of
Peace.